Description
A MAGNIFICENT AND RARE CELADON-WHITE JADE ‘CIVIL AND MILITARY’ TABLE SCREEN
QING DYNASTY
清 青白玉“山水人物”图背刻《孙子兵法》大插屏
MEASUREMENTS
Jade Panel: H. 27.7 cm (10.9 in.); W. 12.1 cm (4.7 in.); D. 0.9 cm (0.3 in.) (Note: Corrected decimal place from 276.9cm to 27.7cm)
Total Height with Stand: 41.4 cm (16.3 in.)
ESTIMATE
USD 20,000 — 40.000
This exceptional table screen is fashioned from a substantial slab of premium celadon-white jade, possessing a dense, cohesive structure and a warm, lustrous “greasy” finish characteristic of high-quality nephrite.
The Obverse: Landscape and Figures The front face depicts an ethereal idyllic landscape. The composition features craggy rock formations and vigorous ancient pines rendered with classic “fan-shaped” needles. Pavilions are nestled amidst the mountains, where scholars and acolytes wander and work with vivid, lifelike expressions. The masterfully balanced arrangement captures the artistic essence of Song and Yuan dynasty landscape paintings.
The Reverse: Martial Philosophy
The back is entirely incised with the full text of Chapter 4: Tactical Dispositions (Xing Pian) from Sun Tzu’s The Art of War. The calligraphy is executed in meticulous “Cabinet Style” (Guange Ti) regular script, characterized by powerful, vigorous strokes and fluid, uniform lines. The inscription concludes with the date and signature: “Composed by Han Fei in the mid-autumn of the Bing-Shen year,” accompanied by an incised seal in seal script.
The Stand
The screen is supported by its ornate original stand, which features multi-layered openwork carving. The stand is decorated with intricate scrolling floral motifs and ruyi patterns, providing a dignified base for the monumental jade slab.
此插屏选用上等青白玉大料切割而成，玉质细密凝练，呈现温润的油脂光泽。
正面：山水人物图 刻画了一幅意境深远的世外桃源。画面中怪石嶙峋，古松苍劲，枝叶以典型的“扇形松”表现。山间掩映亭台，高士与童子在其间游赏劳作，神态生动，深得宋元山水画之虚实意趣。
背面：武学巅峰 满工阴刻《孙子兵法·形篇》全文。字体为工整的馆阁体楷书，刀法刚劲，线条流畅均匀。落款“岁次丙申仲秋翰斐氏撰”，并附篆书方印。
底座： 配有原装多层透雕底座，雕刻缠枝花卉与如意纹，工艺繁缛精美，与玉板交相辉映。
This table screen represents a rare “Civil and Military” (Wen-Wu) synthesis. The obverse portrays the reclusive scholarly ideal through mountain scenery, while the reverse inscribes the martial philosophy of strategic governance; such a dual theme is exceptionally rare among jade screens. The “Bing-Shen” year likely refers to a cycle within the mid-to-late Qing period, reflecting the era’s peak in lapidary precision. From the selection of the raw jade to the masterful level of the calligraphic carving, this piece represents the highest standards of Qing dynasty craftsmanship, holding immense value for both artistic research and museum-level collection.
此插屏匠心独运，堪称“文武合璧”之杰作。正面表现文人的隐逸山水，背面刻划武家的治军哲学，这种双重主题在传世玉插屏中颇为罕见。“丙申”年款对应了清代中晚期的艺术巅峰期。此器不论是玉料的甄选，还是文字镌刻的笔力，均达到了极高的工艺标准。它不仅是文房陈设的重器，更是清代玉雕艺术与哲学思想完美结合的实物见证，具有极高的收藏与研究价值。
CONDITION REPORT
• Condition: In overall excellent condition. The jade is free of any significant cracks or chips. The incised characters remain crisp and legible. The stand shows minor age-appropriate wear to the carving.
• 状况： 整体品相极佳。玉板无任何重大裂纹或崩口。阴刻文字清晰隽永。底座雕工精美，见时代特征之极轻微磨损，保存状况非常理想。
Reviews
There are no reviews yet.